Obolo Films

From Obolo site:

I’m another man with a movie camera, making my contribution to this world’s cinema experience. I did not grow up wanting to be a filmmaker. It just happened. I started film-making and and editing at the age of 18, then kinda left it alone for a few years, pursuing other goals. Now I’m fully submerged in it. I eat, drink, sleep and love making films. I can’t name any directors that I can honestly say “I dig their work” other than Spike Lee and Kar Wai Wong. All the others seem to mesh and blend, making some goulosh shit I ain’t trying to taste.

Obolo

Maisha Film Labs

From site:

MAISHA(meaning "life" in Kiswahili) provides new screenwriters and film directors from East Africa (Uganda, Kenya, Tanzania and Rwanda) and South Asia (India, Pakistan, Sri Lanka and Bangladesh) with access to the professional training and production resources necessary to articulate their visions. Maisha aims to preserve, cultivate and unleash local voices from these regions, and to become one of the first targeted programs to offer structured and accessible resources to these emerging filmmakers. MAISHA is motivated by the belief that a film which explores the truths and idiosyncrasies of the specifically local often has the power to cross over and become significantly universal.

This is Nollywood

This is Nollywood tells the story of the Nigerian film industry—a revolution enabling Africans with few resources to tell African stories to African audiences. Despite all odds, Nigerian directors produce between 500 and 1,000 movies a year. The disks sell wildly all over the continent—Nollywood actors have become stars from Ghana to Zambia.

We experience the world of Nollywood through acclaimed director Bond Emeruwa's quest to make a feature-length action film in just nine days. Armed only with a digital camera, two lights, and about $20,000, Bond faces challenges unimaginable in Hollywood and Bollywood.

Electricity goes out. Street thugs demand extortion money. The lead actor doesn’t show. During one crucial scene, prayers blast from loudspeakers atop a nearby mosque, making shooting impossible. But, as Bond says, “In Nollywood we don’t count the walls. We learn how to climb them.”

Kenya's budding film industry

Technology has enabled many Africans to venture into film making. Everyone knows about Nollywood and South African film industry, now you have Kenya Riverwood.

Look at this video on cnn.com